Still Life

Below you see samples of still life prints in the collection. For complete works of a particular artist access the artist page in browse by artist. Click on image and then arrows to see pieces as slide show.

Camaroon Backback, 1979

Camaroon Backback, 1979

Stephen Lorber Aquatint I: 15.75” x 20” P: 22” x 25”

No Title, 1980

No Title, 1980

Stephen Lorber Aquatint I: 18” x 23” P: 26.25” x 32.5”

"Recollection V", 2019

"Recollection V", 2019

Paul DeRuvo Monotype I: 10” x 8” P: 17” x 15”

Time is What I Want, 2007

Time is What I Want, 2007

Hisako Baba Charcoal drawing I: 18” x 23.5” P: Bleed

Still Life With Light Bulb, 1994

Still Life With Light Bulb, 1994

Paul Emmanuel Mezzotint I: 4.5” x 7.75” P: 8.5” x 11.25”

Still Life with Glass Jar, 1994

Still Life with Glass Jar, 1994

Paul Emmanuel Mezzotint I: 4.5” x 6.5” P: 7.5” x 10.5”

Instruments of Revelation, 1994

Instruments of Revelation, 1994

Paul Emmanuel Mezzotint I: 9.75” x 14.5” P: 13.75” x 17.5”

Two Pears, 1981

Two Pears, 1981

Robert Echer Mezzotint I: 4” x 4” P: 10” x 8”

Morning Light, 1975

Morning Light, 1975

Linda Plotkin Aquatint I: 21.5” x 23.75” P: 25.5” x 28”

Fruit Cups, 1975

Fruit Cups, 1975

Linda Plotkin Drypoint with hand coloring I: 16” x 18” P: 22.25” x 24”

Big Blue, 1980

Big Blue, 1980

Harriet Shorr Steel Aquatint I: 29.5” x 41.5” P: Bleed

41 C.P.W., 1980

41 C.P.W., 1980

Hugh Kepets Lithograph with silkscreen I: 25” x 18” P: 29” x 22”

BROOKLYN BOTANICAL GARDENS, 1974

BROOKLYN BOTANICAL GARDENS, 1974

Hugh Kepets Lithograph with silkscreen I: 24” x 18” P: 27.5” x 21.5”

Fringe Benefits, 2000

Fringe Benefits, 2000

Carole Sue Lebbin Woodcut I: 29” x 23” P: Bleed

Frances I, 2012

Frances I, 2012

Hugh Kepets Digital I: 15” x 15” P: 23.25” x 18”

Shirley II, 2012

Shirley II, 2012

Hugh Kepets Digital I: 15” x 15” P: 23.25” x 18”

Ten Spoons, 1979

Ten Spoons, 1979

Hugh Kepets Aquatint I: 11.75” x 11.75” P: 25.25” x 21”

TAMA, 1980

TAMA, 1980

Hugh Kepets Aquatint I: 17.5” x 35.25” P: 29.75” x 34.5”

“The Anatomy of Oblivion II”, 2014

“The Anatomy of Oblivion II”, 2014

Dustin Yang Digital I: 13” x 9.75” P: 17” x 13”

Reminiscing, 1978

Reminiscing, 1978

Robert Kipniss Lithograph I: 23.5” x 18” P: 29” x 23”

Bois Ma Petite, 1992

Bois Ma Petite, 1992

Tom Laidman Lithograph I: 22” x 16” P: 29.5” x 21”

Oreos & Lime, 1997

Oreos & Lime, 1997

Carole Sue Lebbin Aquatint I: 22.5” x 28.25” P: 28” x 34”

Tea & Flowers, 1997

Tea & Flowers, 1997

Carole Sue Lebbin Aquatint I: 22.5” x 28.25” P: 29.25” x 34.25”

No Title, 2008

No Title, 2008

Barabara Swanson-Sherman Etching and aquatint I: 4.75” x 5” P: 9” x 9”

No Title, 2008

No Title, 2008

Barabara Swanson-Sherman Etching and aquatint I: 5” x 5” P: 9” x 9”

No Title, 2008

No Title, 2008

Barabara Swanson-Sherman Aquatint I: 5.25” x 5.25” P: 9” x 9”

No Title, 1992

No Title, 1992

Jackie Felix Monotype I: 12.5” x 15.75” P: 14.75” x 19”

No Title, 1992

No Title, 1992

Jackie Felix Monotype I: 8” x 9” P: 15” x 15.25”

A Tisket, A Tasket, 1994

A Tisket, A Tasket, 1994

Sue Ann Bottomley Reduction linoleum I: 8” x 7.25” P: 15.5” x 15”

Nice Pears on Pink, 1988

Nice Pears on Pink, 1988

Alice Helander A la poupée linocut I: 20” x 14” P: 23” x 17”

Pears, 1988

Pears, 1988

Alice Helander A la poupée linocut I: 20” x 14” P: 26” x 19”

Steam, 1974

Steam, 1974

Alberto Barrerra Drypoint with engraving I: 6” x 9.5” P: 14” x 18.25”

The Fifth Room, 1978

The Fifth Room, 1978

Merle Perlmutter Softground etching I: 17.5” x 25.25” P: 21.5” x 29.75”

This Should Make You Feel Better, 1989

This Should Make You Feel Better, 1989

Merle Perlmutter Softground etching I: 17.5” x 25.75” P: 22.25” x 29.75”

All Purpose, 1981

All Purpose, 1981

Hugh Kepets Lithograph with embossment I: 10.25” x 9.75” P: 25.75” x 20”

No Title, 1994

No Title, 1994

Konstantin Chmutin Mezzotint I: 6.5” x 8.25” P: 11.5” x 11.25”

Special Arrangement, 1993

Special Arrangement, 1993

Konstantin Chmutin Mezzotint I: 4.25” x 3” P: 9.75” x 7.25”

Homage to Arcimboldo, 1994

Homage to Arcimboldo, 1994

Konstantin Chmutin Mezzotint I: 5.25” x 7.5” P: 10.5” x 11.25”

No Title, 1984

No Title, 1984

Daniel Kelly Lithograph with chine collé I: 29.75” x 24” P: Bleed

“Tools of the Trade”, 1981

“Tools of the Trade”, 1981

Mary Teichman Aquatint I: 7” x 8” P: 15” x 16”