Figural Depiction: Black Bodies in the Works of Amos, Billops, and Tanksley
Emma Amos, Camille Billops, Ann Tanksley
(Selection by Morghan Williams)
Figural Depiction: Black Bodies in the Works of Amos, Billops, and Tanksley examines the aesthetic qualities of three black women artists, their depictions of black women and black identities, and acknowledges their contributions to printmaking as well as their contributions to the broader art world.
One of the foundational questions often posed when discussing work produced by African American artists is, what is black art? This question, which initially appears to be a simple inquiry, is complex and multifaceted. It can be argued that there is no such thing as “black art” but rather artwork produced by African Americans and people belonging to the African diaspora whose content, aesthetic values, and modes of production vary to a great extent. Over the past several decades, African American artists have reflected on or responded to specific histories as well as social and political climates in their work while others have chosen not to. This particular dichotomy stresses a historical tension within visual articulation; abstract versus figural. Artists Emma Amos (1938), Camille Billops (1933 - 2019), and Ann Tanksley (1934) have produced an immense amount of the material over the span of their respective careers that place emphasis on the black body and female form.
Figural Depiction: Black Bodies in the Works of Amos, Billops, and Tanksley aims to highlight the artworks of these African American women and their contributions to this ongoing dialogue about black representation, depiction, experience, and identity.